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The exercises are dealing with all issues we have seen in other contexts
as well meanwhile, summing them up in a way.
I tried to orgaize them a little:
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exercises 1-5: diatonic
harmony, including 'embellishing chords' like passing chords, neighbouring
chords and suspensions, but still without II, III and VII
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exercises 6-10: same
as 1-5, but now including II; III is not used, VII only as triad, in first
inversion
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exercises 11-15:
as in 5-10, and also: VII in all inversion, III. Apart from that: mixtures
(md and dm and bII/neapolitan). So we are talking now extended diatonic
harmony
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exercises 16-25:
same as before, and secondary dominants are introduced
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exercises 26-35: some common patterns
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